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Martyrdom of Saint Stephen

Primary (Porto Maurizio, Italy, 1647–Genoa, Italy, 1726)
NationalityItalian, Europe
Date1700s
MediumPen and brown ink with brush and brown wash over traces of black chalk and graphite on cream anitque laid paper, laid down
DimensionsAdditional Dimension: 15 13/16 × 10 1/4 in. (40.2 × 26 cm)
Credit LineBlanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017.1079
Collection AreaPrints and Drawings
Object number2017.1079
On View
Not on view
Label Text
Descended from the lyrical, subjectively inclined Genoese of mid-century, and deeply informed by the study of Correggio, Gregorio’s compositions twist in ceaseless gyres, his figures deform in ecstatic response, and his color goes iridescent before dissolving into a white light. This drawing represents a step in the preparation of the composition and then the architectural setting of an altarpiece. While neither this work nor its commission has been identified, its importance can be gathered from the care of this study, and its possibly French destination from the crest of the Rochelle family at the top of a second study.
Exhibitions
Martyrdom of Saint Stephen
Gregorio de' Ferrari
1670
The Martyrdom of Saint Sebastian
Luca Cambiaso
circa 1562
The Entombment
Luca Cambiaso
early 1570s
Flying Angel
Gregorio de' Ferrari
circa 1700s
Juno and the Slain Argus
Giovanni Benedetto Castiglione
1630s
Allegory of Virtue
Antonio Allegri, called Correggio
circa 1530-34
Study for the Angels of Justice
Jacopo Zanguidi Bertoia
1572
Personification of Astrology
Gaetano Gandolfi
Circa 1790
Adoration of the Shepherds
Antonio Balestra
circa 1704
Minerva in Triumph
Lorenzo De Ferrari
circa 1695-1700