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Image Not Available for Vió rostros compungidos, illustration for Serafina: Relato y dos aguafuertes
Vió rostros compungidos, illustration for Serafina: Relato y dos aguafuertes
Image Not Available for Vió rostros compungidos, illustration for Serafina: Relato y dos aguafuertes

Vió rostros compungidos, illustration for Serafina: Relato y dos aguafuertes

Primary (Argentinean)
Printer
Printer
NationalityArgentinean, South America
Date1977
MediumEtching
DimensionsSheet: 13 7/16 × 9 7/16 in. (34.2 × 24 cm)
Additional Dimension: 7 5/8 × 4 1/2 in. (19.3 × 11.5 cm)
Credit LineBlanton Museum of Art, The University of Texas at Austin, Gift of Barbara Duncan, 1983.111.1
Rights Statement
Collection AreaPrints and Drawings
Object number1983.111.1/2
On View
Not on view
Image Not Available for Entonces deseo morir, illustration for Serafina: Relato y dos aguafuertes [Then I Wanted To Die, illustration for Serafina: Story and Two Aquatints]
Entonces deseo morir, illustration for Serafina: Relato y dos aguafuertes [Then I Wanted To Die, illustration for Serafina: Story and Two Aquatints]
Natalia Kohen
1977
Faces Number 9 [Rostros en cuadrados azules]
Faces Number 9 [Rostros en cuadrados azules]
Mario Toral
1973
Weibliche Halbfigur [Female Torso], from Bauhaus Drucke - Neue Europäische Graphik, 4te Mappe: Italienische Und Russische Künstler [Bauhaus Prints - New European Graphics, 4th Portfolio: Italian and Russian Artists]
Weibliche Halbfigur [Female Torso], from Bauhaus Drucke - Neue Europäische Graphik, 4te Mappe: Italienische Und Russische Künstler [Bauhaus Prints - New European Graphics, 4th Portfolio: Italian and Russian Artists]
Natalia Goncharova
circa 1922
Cubistic Figure of Spanish Lady
Cubistic Figure of Spanish Lady
Natalia Goncharova
1919
Image Not Available for Two Spanish Ladies, Ticket No. 1073 for Bal Banal Travesti, Paris
Two Spanish Ladies, Ticket No. 1073 for Bal Banal Travesti, Paris
Natalia Goncharova
1923
Dancer in Movement
Dancer in Movement
Natalia Goncharova
1905
This image is for study only, and may not accurately represent the object’s true color or scale…
¿Y vió Dios que lo hecho era bueno; y en el 7º día, descansó de todas las obras que había creado?, from Grabado en el Paraguay
Lotte Schulz
1974
Image Not Available for Every Atom #2
Every Atom #2
Natalia Benedetti
2004
Dos - å - Dos
Dos - å - Dos
Margaret Fisher
1920
Faces on Triangle [Triángulo y rostro]
Faces on Triangle [Triángulo y rostro]
Mario Toral
1974
L’Homme au gros dos orné d’une rangée de boutons [Man with a Large Back Decorated with a Row of Buttons], plate 10 from Les Gobbi
L’Homme au gros dos orné d’une rangée de boutons [Man with a Large Back Decorated with a Row of Buttons], plate 10 from Les Gobbi
Jacques Callot
1622
Dos grupos de picadores arrollados de seguida por un solo toro [Two Teams of Picadors Thrown One After the Other by a Single Bull], plate 32 from La Tauromaquia
Dos grupos de picadores arrollados de seguida por un solo toro [Two Teams of Picadors Thrown One After the Other by a Single Bull], plate 32 from La Tauromaquia
Francisco de Goya y Lucientes
1815-1816 (p. 1816)