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Image Not Available for Entonces deseo morir, illustration for Serafina: Relato y dos aguafuertes [Then I Wanted To Die, illustration for Serafina: Story and Two Aquatints]
Entonces deseo morir, illustration for Serafina: Relato y dos aguafuertes [Then I Wanted To Die, illustration for Serafina: Story and Two Aquatints]
Image Not Available for Entonces deseo morir, illustration for Serafina: Relato y dos aguafuertes [Then I Wanted To Die, illustration for Serafina: Story and Two Aquatints]

Entonces deseo morir, illustration for Serafina: Relato y dos aguafuertes [Then I Wanted To Die, illustration for Serafina: Story and Two Aquatints]

Primary (Argentinean)
Printer
Printer
NationalityArgentinean, South America
Date1977
MediumEtching
DimensionsSheet: 13 7/16 × 9 7/16 in. (34.2 × 24 cm)
Additional Dimension: 7 5/8 × 4 1/2 in. (19.3 × 11.5 cm)
Credit LineBlanton Museum of Art, The University of Texas at Austin, Gift of Barbara Duncan, 1983.111.2
Rights Statement
Collection AreaPrints and Drawings
Object number1983.111.2/2
On View
Not on view
Image Not Available for Vió rostros compungidos, illustration for Serafina: Relato y dos aguafuertes
Vió rostros compungidos, illustration for Serafina: Relato y dos aguafuertes
Natalia Kohen
1977
Image Not Available for Two Spanish Ladies, Ticket No. 1073 for Bal Banal Travesti, Paris
Two Spanish Ladies, Ticket No. 1073 for Bal Banal Travesti, Paris
Natalia Goncharova
1923
Cubistic Figure of Spanish Lady
Cubistic Figure of Spanish Lady
Natalia Goncharova
1919
Dancer in Movement
Dancer in Movement
Natalia Goncharova
1905
Weibliche Halbfigur [Female Torso], from Bauhaus Drucke - Neue Europäische Graphik, 4te Mappe: Italienische Und Russische Künstler [Bauhaus Prints - New European Graphics, 4th Portfolio: Italian and Russian Artists]
Weibliche Halbfigur [Female Torso], from Bauhaus Drucke - Neue Europäische Graphik, 4te Mappe: Italienische Und Russische Künstler [Bauhaus Prints - New European Graphics, 4th Portfolio: Italian and Russian Artists]
Natalia Goncharova
circa 1922
Image Not Available for Every Atom #2
Every Atom #2
Natalia Benedetti
2004
Une Dame, coiffée d’une aigrette et relevant son manteau, vue de dos, entre deux hommes [Woman Wearing an Aigrette and Raising her Coat, Seen from Behind, between Two Men], from Les Fantaisies
Une Dame, coiffée d’une aigrette et relevant son manteau, vue de dos, entre deux hommes [Woman Wearing an Aigrette and Raising her Coat, Seen from Behind, between Two Men], from Les Fantaisies
Jacques Callot
1633
Une Dame tête nue, les cheveux relevés, vue de dos, entre deux hommes [Woman with a Bare Head, with Hair Up, Seen from Behind, between Two Men], from Les Fantaisies
Une Dame tête nue, les cheveux relevés, vue de dos, entre deux hommes [Woman with a Bare Head, with Hair Up, Seen from Behind, between Two Men], from Les Fantaisies
Jacques Callot
1635
Une Dame, le poing droit sur la hanche et la main gauche tendue, vue de dos, entre deux hommes [Woman with Her Right Fist on Her Hip and Her Left Hand Extended, Seen from Behind, between Two Men], from Les Fantaisies
Une Dame, le poing droit sur la hanche et la main gauche tendue, vue de dos, entre deux hommes [Woman with Her Right Fist on Her Hip and Her Left Hand Extended, Seen from Behind, between Two Men], from Les Fantaisies
Jacques Callot
1635
Dos grupos de picadores arrollados de seguida por un solo toro [Two Teams of Picadors Thrown One After the Other by a Single Bull], plate 32 from La Tauromaquia
Dos grupos de picadores arrollados de seguida por un solo toro [Two Teams of Picadors Thrown One After the Other by a Single Bull], plate 32 from La Tauromaquia
Francisco de Goya y Lucientes
1815-1816 (p. 1816)
Dos grupos de picadores arrollados de seguida por un solo toro [Two Teams of Picadors Thrown One After the Other by a Single Bull], plate 32 from La Tauromaquia
Dos grupos de picadores arrollados de seguida por un solo toro [Two Teams of Picadors Thrown One After the Other by a Single Bull], plate 32 from La Tauromaquia
Francisco de Goya y Lucientes
1816 (p. 1905)
This image is for study only, and may not accurately represent the object’s true color or scale…
Dos palmas [Two Palms]
Benjamin C. Brown
not dated