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Sem título [Untitled]

Primary (São Paulo, Brazil, 1914–2010)
NationalityBrazilian, South America
Date1959
MediumWhite ink on black paper
DimensionsSheet: 14 × 11 7/8 in. (35.6 × 30.2 cm)
Framed: 16 1/4 × 14 in. (41.3 × 35.6 cm)
Credit LineBlanton Museum of Art, The University of Texas at Austin, Gift of Judy S. and Charles W. Tate, 2016
Keywords
Rights Statement
Collection AreaPrints and Drawings
Object number2016.92
On View
Not on view
Label Text
Hércules Barsotti was a graphic designer and artist inspired by the work of Concrete and Neo-Concrete art in Brazil. He adopted the limited palette and spare geometric forms of Concrete art, but avoided its mathematical rigor. He favored instead the more sensorial approach to geometry that characterized the Neo-Concrete movement emerging in Rio de Janeiro. In these drawings, Barsotti organizes planes and lines to evoke a sense of visual tension and fragmentation, suggesting a three-dimensional space that recedes away from the surface, grounding his geometry in the physical world.
Exhibitions
Sem título [Untitled]
Hércules Barsotti
1959
Object number: 2016.91
Sem título [Untitled]
Hércules Barsotti
1959
Object number: 2016.93
Sem título [Untitled]
Mira Schendel
1980s
Object number: 2019.117
The Finding of Moses
Antonio Balestra
1690
Object number: 2017.892
The Conversion of Saint Paul
Paolo Farinati
late 1580s
Object number: 2017.1109
The Creation of Eve
Jacopo Negretti, called Palma Giovane
1573
Object number: 2017.1273
Scene from Roman History
Formerly attributed to Jacques Augustin Pajou
circa 1760-1780
Object number: 2017.1269
Saint Dominic Resuscitating a Mason
Sebastiano Conca
circa 1715
Object number: 2017.1052
Head of a Woman
Bernardo Strozzi
1630s
Object number: 2017.1377
Sem título [Untitled]
Hermelindo Fiaminghi
1955
Object number: 2016.101
Sem título [Untitled]
Hermelindo Fiaminghi
1955
Object number: 2016.102
Sem título [Untitled]
Hermelindo Fiaminghi
1955
Object number: 2016.103