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Sem título [Untitled]

Primary (São Paulo, Brazil, 1920–2004)
NationalityBrazilian, South America
Date1955
MediumInk, gouache, and graphite on paper
DimensionsSight: 6 1/2 × 5 1/2 in. (16.5 × 14 cm)
Framed: 16 5/8 × 14 5/8 in. (42.2 × 37.1 cm)
Credit LineBlanton Museum of Art, The University of Texas at Austin, Gift of Judy S. and Charles W. Tate, 2016
Keywords
Rights Statement
Collection AreaPrints and Drawings
Object number2016.102
On View
Not on view
Label Text
A painter, draftsman, and graphic artist, Hermelindo Fiaminghi was an early contributor to the Concrete art movement that developed in São Paulo in the 1950s. This particular work is part of a series of three works from 1955, all untitled, reflecting upon his long-term interest in color to organize rhythmic, geometric compositions. In each, circles come into conflict with a grid. Whether his forms spiral outwards, repeat in varied sizes, or lie flat on top of each other, they create the impression of an ambiguous three-dimensional space.
Exhibitions
Sem título [Untitled]
Hermelindo Fiaminghi
1955
Object number: 2016.101
Sem título [Untitled]
Hermelindo Fiaminghi
1955
Object number: 2016.103
Sem título [Untitled]
Antônio Goncalves Gomide
late 1930s
Object number: 2019.99
Sem título [Untitled]
Antônio Goncalves Gomide
late 1930s
Object number: 2019.100
Sem título [Untitled]
Mira Schendel
1980s
Object number: 2019.117
Sin título (Cabeza y mano) [Untitled (Head and Hand)]
Delia Cugat
1984
Object number: 1985.206
Sem título [Untitled]
Hércules Barsotti
1959
Object number: 2016.91
Sem título [Untitled]
Hércules Barsotti
1959
Object number: 2016.92
Sem título [Untitled]
Hércules Barsotti
1959
Object number: 2016.93
Untitled [Sin Título]
Julio Alpuy
1963
Object number: 1977.41
Untitled [Sin Título]
Julio Alpuy
1965
Object number: 1977.42