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Composición [Composition]

Primary (Vasto, Italy, 1897–Buenos Aires, Argentina, 1987)
NationalityArgentinean, South America
Date1937
MediumOil on board
DimensionsSight: 12 1/2 × 7 13/16 in. (31.8 × 19.8 cm)
Framed: 24 1/4 × 19 1/2 in. (61.6 × 49.5 cm)
Credit LineBlanton Museum of Art, The University of Texas at Austin, Gift of Judy S. and Charles W. Tate, 2016
Rights Statement
Collection AreaLatin American Art
Object number2016.100
On View
On view
Locations
  • exhibition  BMA, Gallery, C3 - Lowe Foundation Gallery
Label Text
Composed of flat, geometric planes of color that overlap and intersect, this painting by Juan Del Prete predicts the hard-edge brand of geometric abstraction that would come to dominate Argentine art in the 1940s. Though Del Prete was a pioneer of geometric abstraction in Latin America, his brushwork often betrayed a more expressive sensibility. The painterly texture of Composición, with its uneven line, warm palette, and gentle gradations in tone, lends the composition an unusual intimacy.
Exhibitions
Composición no. 7 [Composition no. 7]
Gaston Garreaud
1966
Object number: G1971.3.21
2244 Módulos [2244 Modules]
Isabel Del Rio
1997
Object number: 2005.197
Don't Cry for Me, Argentina
Claudia del Río
1995
Object number: 2005.208
Composición rojo y negro [Red and Black Composition]
Mateo Manaure
1956
Object number: 2018.117
San Luis Gonzaga [Saint Aloysius Gonzaga]
Juan Pedro López
circa 1765
Object number: 2016.236
Cristo no. 2 [Christ No. 2]
Juan Antonio Roda
1968
Object number: P1970.9.2
Autoretrato [Self-Portrait]
Juan Cárdenas
1974
Object number: G1975.32.1
Morado sobre amarillo 1 [Purple over Yellow 1]
Juan Iribarren
1997
Object number: 2018.112
Diagonales I-II-III [Diagonals I-II-III]
Juan Iribarren
2000
Object number: 2018.113.a-c
Paisaje del silencio [Landscape of Silence]
Juan Carlos Liberti
1976
Object number: 1985.172
Cristo Flagelado [Scourged Christ]
Juan Pedro López
1780–1785
Object number: 2016.177