Efemeroide [Ephimeraloid], 1973, and Poema visual [Visual Poem], 1986
Primary
Paulo Bruscky
(Recife, Brazil, 1949–)
NationalityBrazilian, South America
Datecirca 1980s
MediumTwo photographs glued on paper, ink, stamp
DimensionsAdditional Dimension: 12 3/8 × 8 7/16 in. (31.5 × 21.5 cm)
Credit LineBlanton Museum of Art, The University of Texas at Austin, Gift of Jacqueline Barnitz, 2017.93
Keywords
Rights Statement
Collection AreaLatin American Art
Object number2017.93
On View
Not on viewPaulo Bruscky is best known as a pioneer of Mail art, participating from his home town of Recife, Brazil, in the correspondence pf international artistic groups like FLUXUS. Some of his works revolve around the technique of photocopying (or Xerox). Influenced by his lifelong career in hospital administration, Bruscky also explored biological themes and their relationship to humor and visual art.
Bruscky’s artistic flexibility was in part a result of cultural and political repression imposed by the military dictatorship in control of Brazil from 1964 to 1985, solidifying his resolve to create art that challenged the status quo and caused viewers to rethink the rules of the everyday.
Edgardo Antonio Vigo
1968