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This image is for study only, and may not accurately represent the object’s true color or scale…
Three Graces (?) (recto and verso) plate 33 from Principios para estudiar el nobilismo y real Arte de la Pintura [Principles for Studying the Most Noble and High Art of Painting]
This image is for study only, and may not accurately represent the object’s true color or scale…
This image is for study only, and may not accurately represent the object’s true color or scale. It should not be shared or reproduced without permission by the copyright holder.

Three Graces (?) (recto and verso) plate 33 from Principios para estudiar el nobilismo y real Arte de la Pintura [Principles for Studying the Most Noble and High Art of Painting]

Primary (Villena, Alicante, Spain, 1646–Madrid, Spain, 1717)
NationalitySpanish, Europe
Date1666
MediumEtching
DimensionsSheet: 6 3/16 × 4 1/2 in. (15.7 × 11.4 cm)
Credit LineBlanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002.1416.b
Collection AreaPrints and Drawings
Object number2002.1416.b
On View
Not on view
Exhibitions
Three Graces (?) (recto and verso), plate 34 from Principios para estudiar el nobilismo y real Arte de la Pintura [Principles for Studying the Most Noble and High Art of Painting]
Three Graces (?) (recto and verso), plate 34 from Principios para estudiar el nobilismo y real Arte de la Pintura [Principles for Studying the Most Noble and High Art of Painting]
José Garcia Hidalgo
1666
Flying Cherubim, plate 28 from Principios para estudiar el nobilísimo y real arte de la pintura [Principles for Studying the Most Noble and High Art of Painting]
Flying Cherubim, plate 28 from Principios para estudiar el nobilísimo y real arte de la pintura [Principles for Studying the Most Noble and High Art of Painting]
José Garcia Hidalgo
circa 1680-1691
Manos. Siete (3, 1, 2, 1), la primera empuna un palo [Seven Hands, the First Holding a Staff], plate 49 from the Principios para estudiar el nobilismo y real Arte de la Pintura [Principles for Studying the Most Noble and High Art of Painting]
Manos. Siete (3, 1, 2, 1), la primera empuna un palo [Seven Hands, the First Holding a Staff], plate 49 from the Principios para estudiar el nobilismo y real Arte de la Pintura [Principles for Studying the Most Noble and High Art of Painting]
1693
Image Not Available for Les Trois graces [The Three Graces]
Les Trois graces [The Three Graces]
N. Krishna Reddy
1958
Image Not Available for Three Graces, after Marcantonio Raimondi
Three Graces, after Marcantonio Raimondi
Enea Vico
1542
Mercury and the Three Graces, after Jacopo Tintoretto
Mercury and the Three Graces, after Jacopo Tintoretto
Agostino Carracci
1589
This image is for study only, and may not accurately represent the object’s true color or scale…
Three Graces, after Laurent de La Hyre
François Chauveau
1635
This image is for study only, and may not accurately represent the object’s true color or scale…
Three Dis-Graces, from Puck
James Albert Wales
1880
Image Not Available for Tre grazi [Three Graces]
Tre grazi [Three Graces]
Vito Meumann
1962
Five Portraits: An Old Man in a Turban, Two Infants and Two Young Men, plate 9 from I principii del disegno [The principles of design]
Five Portraits: An Old Man in a Turban, Two Infants and Two Young Men, plate 9 from I principii del disegno [The principles of design]
Stefano Della Bella
circa 1643
The Graces at the Tomb of Watteau, frontispiece to the Figures de différents caractères, II
The Graces at the Tomb of Watteau, frontispiece to the Figures de différents caractères, II
François Boucher
1728
Para vestir (Pintura aeropostal núm. 56) [To Dress (Airmail Painting no. 56) ]
Para vestir (Pintura aeropostal núm. 56) [To Dress (Airmail Painting no. 56) ]
Eugenio Dittborn
1986-1987