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Image Not Available for Spaccato del Ponte Fabrizio, detto dè quattro Capi [Vertical Section of the Bridge of Fabricius, called the Ponte dei Quattro Capi (Bridge of the Four Heads)], plate XIX from Volume IV of Le Antichità Romane [Roman Antiquities]
Spaccato del Ponte Fabrizio, detto dè quattro Capi [Vertical Section of the Bridge of Fabricius, called the Ponte dei Quattro Capi (Bridge of the Four Heads)], plate XIX from Volume IV of Le Antichità Romane [Roman Antiquities]
Image Not Available for Spaccato del Ponte Fabrizio, detto dè quattro Capi [Vertical Section of the Bridge of Fabricius, called the Ponte dei Quattro Capi (Bridge of the Four Heads)], plate XIX from Volume IV of Le Antichità Romane [Roman Antiquities]

Spaccato del Ponte Fabrizio, detto dè quattro Capi [Vertical Section of the Bridge of Fabricius, called the Ponte dei Quattro Capi (Bridge of the Four Heads)], plate XIX from Volume IV of Le Antichità Romane [Roman Antiquities]

Primary (Mogliano, Treviso, Italy, 1720–Rome, Italy, 1778)
NationalityItalian, Europe
Date1756
MediumEtching
DimensionsSheet: 20 13/16 × 27 7/16 in. (52.8 × 69.7 cm)
Image: 14 1/8 × 23 5/8 in. (35.9 × 60 cm)
Additional Dimension: 15 3/4 × 23 13/16 in. (40 × 60.5 cm)
Credit LineBlanton Museum of Art, The University of Texas at Austin, Gift of Alvin Romansky, 1991.66.9
Collection AreaPrints and Drawings
Object number1991.66.9/40
On View
Not on view
Label Text
The inverted arch was a bracing element allegedly known in Roman antiquity. One example has been found embedded in a wall in Pompeii; others appear in medieval and modern architecture. This print shows Piranesi’s hypothetical reconstruction of the bridge, with its arches and inverted arches together forming circles. This is an example of Piranesi’s theoretical imagination at work; the actual bridge has no inverted arches.
Exhibitions