Skip to main content
Advanced Search
This image is for study only, and may not accurately represent the object’s true color or scale…
Mattheus Franciscus Geoffroy Parisinus, after Nicolas de Largillière
This image is for study only, and may not accurately represent the object’s true color or scale…
This image is for study only, and may not accurately represent the object’s true color or scale. It should not be shared or reproduced without permission by the copyright holder.

Mattheus Franciscus Geoffroy Parisinus, after Nicolas de Largillière

Primary (Blois, France, 1680–Paris, France, 1729)
NationalityFrench, Europe
Date1770
MediumEtching and engraving
DimensionsSheet: 16 5/8 × 12 5/8 in. (42.2 × 32.1 cm)
Additional Dimension: 16 5/16 × 12 1/8 in. (41.4 × 30.8 cm)
Credit LineBlanton Museum of Art, The University of Texas at Austin, Gift of Mr. and Mrs. Isidore Simkowitz in memory of Amy Cecelia Simkowitz-Rogers, 1997.174
Collection AreaPrints and Drawings
Object number1997.174
On View
Not on view
This image is for study only, and may not accurately represent the object’s true color or scale…
Self Portrait, after Louis de Boullongne
François, the elder Chéreau
1718
Image Not Available for Saint John the Baptist in the Desert, after Raphael, plate 19 from the Recueil d’estampes d’après les plus beaux tableaux et d’après les plus beaux dessins qui sont en France [Collection of Prints after the Most Beautiful Paintings and Drawings in France]
Saint John the Baptist in the Desert, after Raphael, plate 19 from the Recueil d’estampes d’après les plus beaux tableaux et d’après les plus beaux dessins qui sont en France [Collection of Prints after the Most Beautiful Paintings and Drawings in France]
François, the elder Chéreau
1729
This image is for study only, and may not accurately represent the object’s true color or scale…
Jean-Baptiste-Louis Picon, after Hyacinthe Rigaud
François, the elder Chéreau
1719
This image is for study only, and may not accurately represent the object’s true color or scale…
Pierre Grassin, after Nicolas de Largilliere
François Bernard Lépicié
1725
This image is for study only, and may not accurately represent the object’s true color or scale…
La Pureté [Purity], from Iconologie par figures, after Hubert-François Bourguignon Gravelot and Charles-Nicolas Cochin, the younger
Adrien Pierre François Godefroy
circa 1790
This image is for study only, and may not accurately represent the object’s true color or scale…
Saint Marguerite, after Nicolas Poussin
François Chauveau
1635
Image Not Available for Nicolas de Largillière, after Charles-Étienne Geuslain
Nicolas de Largillière, after Charles-Étienne Geuslain
Charles Dupuis
1730
Image Not Available for Jean Thierry, after Nicolas de Largillière
Jean Thierry, after Nicolas de Largillière
Henri-Simon Thomassin
circa 1732
Image Not Available for Allegory of the Three Ages of Man, after Titian, plate 144 from the Recueil d’estampes d’après les plus beaux tableaux et d’après les plus beaux dessins qui sont en France [Collection of Prints after the Most Beautiful Paintings and Drawings in France](th
Allegory of the Three Ages of Man, after Titian, plate 144 from the Recueil d’estampes d’après les plus beaux tableaux et d’après les plus beaux dessins qui sont en France [Collection of Prints after the Most Beautiful Paintings and Drawings in France](th
Simon Francois Ravenet, the elder
after 1730-before 1740
Image Not Available for The Adoration of the Shepherds, after Domenico Fetti, plate 104 from the Recueil d’estampes d’après les plus beaux tableaux et d’après les plus beaux dessins qui sont en France [Collection of Prints after the Most Beautiful Paintings and Drawings in Franc
The Adoration of the Shepherds, after Domenico Fetti, plate 104 from the Recueil d’estampes d’après les plus beaux tableaux et d’après les plus beaux dessins qui sont en France [Collection of Prints after the Most Beautiful Paintings and Drawings in Franc
Simon Francois Ravenet, the elder
after 1730-before 1740
Venus and Adonis, after Paolo Veronese, plate 173 from the Recueil d’estampes d’après les plus beaux tableaux et d’après les plus beaux dessins qui sont en France [Collection of Prints after the Most Beautiful Paintings and Drawings in France](the Cabinet
Venus and Adonis, after Paolo Veronese, plate 173 from the Recueil d’estampes d’après les plus beaux tableaux et d’après les plus beaux dessins qui sont en France [Collection of Prints after the Most Beautiful Paintings and Drawings in France](the Cabinet
Simon Francois Ravenet, the elder
after 1730-before 1740
Charles Le Brun, after Nicolas de Largillière
Charles Le Brun, after Nicolas de Largillière
Gérard Edelinck
1677