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This image is for study only, and may not accurately represent the object’s true color or scale…
Jean-Baptiste-Louis Picon, after Hyacinthe Rigaud
This image is for study only, and may not accurately represent the object’s true color or scale…
This image is for study only, and may not accurately represent the object’s true color or scale. It should not be shared or reproduced without permission by the copyright holder.

Jean-Baptiste-Louis Picon, after Hyacinthe Rigaud

Primary (Blois, France, 1680–Paris, France, 1729)
NationalityFrench, Europe
Date1719
MediumEngraving
DimensionsSheet: 21 1/2 × 15 11/16 in. (54.6 × 39.8 cm)
Additional Dimension: 15 11/16 × 11 5/16 in. (39.8 × 28.7 cm)
Image: 15 1/4 × 11 1/16 in. (38.7 × 28.1 cm)
Credit LineBlanton Museum of Art, The University of Texas at Austin, Gift of Mr. and Mrs. Isidore Simkowitz in memory of Amy Cecelia Simkowitz-Rogers, 1995.138
Collection AreaPrints and Drawings
Object number1995.138
On View
Not on view
This image is for study only, and may not accurately represent the object’s true color or scale…
Self Portrait, after Louis de Boullongne
François, the elder Chéreau
1718
Image Not Available for Saint John the Baptist in the Desert, after Raphael, plate 19 from the Recueil d’estampes d’après les plus beaux tableaux et d’après les plus beaux dessins qui sont en France [Collection of Prints after the Most Beautiful Paintings and Drawings in France]
Saint John the Baptist in the Desert, after Raphael, plate 19 from the Recueil d’estampes d’après les plus beaux tableaux et d’après les plus beaux dessins qui sont en France [Collection of Prints after the Most Beautiful Paintings and Drawings in France]
François, the elder Chéreau
1729
This image is for study only, and may not accurately represent the object’s true color or scale…
Mattheus Franciscus Geoffroy Parisinus, after Nicolas de Largillière
François, the elder Chéreau
1770
Image Not Available for Henri de Harcourt, after Hyacinthe Rigaud
Henri de Harcourt, after Hyacinthe Rigaud
Jacques Chéreau
1727
Louis-Alexandre de Bourbon, Count of Toulouse, Admiral of France, after Hyacinthe Rigaud
Louis-Alexandre de Bourbon, Count of Toulouse, Admiral of France, after Hyacinthe Rigaud
Pierre Drevet
circa 1700
This image is for study only, and may not accurately represent the object’s true color or scale…
Jean-Baptiste Boyer, after Hyacinthe Rigaud
Cornelis-Martin Vermeulen
1700
This image is for study only, and may not accurately represent the object’s true color or scale…
Reste d'un anciens temple aux environs de Puzzuole [The Ruins of an Ancient Temple Surrounding Puzzuoli], after Charles Louis Clérisseau
Jean-François Janinet
1776
This image is for study only, and may not accurately represent the object’s true color or scale…
La Ratisseuse [The Peeler], after Jean-Baptiste-Siméon Chardin
François Bernard Lépicié
1742
Image Not Available for Nymphs in a Grotto, after Louis Matout
Nymphs in a Grotto, after Louis Matout
François-Louis Français
1830
Image Not Available for Allegory of the Three Ages of Man, after Titian, plate 144 from the Recueil d’estampes d’après les plus beaux tableaux et d’après les plus beaux dessins qui sont en France [Collection of Prints after the Most Beautiful Paintings and Drawings in France](th
Allegory of the Three Ages of Man, after Titian, plate 144 from the Recueil d’estampes d’après les plus beaux tableaux et d’après les plus beaux dessins qui sont en France [Collection of Prints after the Most Beautiful Paintings and Drawings in France](th
Simon Francois Ravenet, the elder
after 1730-before 1740
Image Not Available for The Adoration of the Shepherds, after Domenico Fetti, plate 104 from the Recueil d’estampes d’après les plus beaux tableaux et d’après les plus beaux dessins qui sont en France [Collection of Prints after the Most Beautiful Paintings and Drawings in Franc
The Adoration of the Shepherds, after Domenico Fetti, plate 104 from the Recueil d’estampes d’après les plus beaux tableaux et d’après les plus beaux dessins qui sont en France [Collection of Prints after the Most Beautiful Paintings and Drawings in Franc
Simon Francois Ravenet, the elder
after 1730-before 1740
Venus and Adonis, after Paolo Veronese, plate 173 from the Recueil d’estampes d’après les plus beaux tableaux et d’après les plus beaux dessins qui sont en France [Collection of Prints after the Most Beautiful Paintings and Drawings in France](the Cabinet
Venus and Adonis, after Paolo Veronese, plate 173 from the Recueil d’estampes d’après les plus beaux tableaux et d’après les plus beaux dessins qui sont en France [Collection of Prints after the Most Beautiful Paintings and Drawings in France](the Cabinet
Simon Francois Ravenet, the elder
after 1730-before 1740