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Sin título, de la serie Interiores [Untitled, from the Interiors Series]
Sin título, de la serie Interiores [Untitled, from the Interiors Series]

Sin título, de la serie Interiores [Untitled, from the Interiors Series]

Primary (Popayán, Colombia, 1951–)
NationalityColombian, South America
Date1977
MediumBlack chalk on paper
DimensionsFramed: 44 × 53 × 2 in. (111.8 × 134.6 × 5.1 cm)
Sheet: 37 × 47 1/4 in. (94 × 120 cm)
Image: 35 1/2 × 46 1/4 in. (90.2 × 117.5 cm)
Credit LineBlanton Museum of Art, The University of Texas at Austin, Gift of Barbara Duncan, 1994.106
Keywords
Rights Statement
Collection AreaPrints and Drawings
Object number1994.106
On View
Not on view
Label Text

We are delighted to share a chronological framework that seeks to contextualize Oscar Muñoz’s work in relation to key artistic, cultural, and historical events that have taken place in Cali (where he resides) and in Colombia at large since the late 1940s.


View Oscar Muñoz: Chronology
 

Ver Oscar Muñoz: Cronología 

Oscar Muñoz began his series Interiors in 1976. This work depicts a figure in an indoor domestic space who seems unaware of being observed, thereby transforming the viewer into a voyeur. The subtle contrasts between light and shadow would continue to impact the artist’s aesthetic in later photographic and video works. As Muñoz explained: "I also wanted to capture the mood and atmosphere of those spaces through different wall textures, floors marked by the light, the shadows, the reflections on the mirror, and the accidents that architecture endures, the things that happen. That is what interested me the most, beyond a social discourse…. In my works there is always a gaze that is not neutral, it is emotional."

This work is among Muñoz’s earliest. It illustrates a crucial period of experimentation with drawing as a medium that moves beyond hyperrealism because of this “emotional” gaze. As the artist said upon reflection of his early practice: “Although I may change materials and experiment with new ones, I am still doing the same thing, with the same fundamental concerns.”
Exhibitions