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Image Not Available for Alexander Entering Babylon, after Gérard Audran, after Charles Le Brun
Alexander Entering Babylon, after Gérard Audran, after Charles Le Brun
Image Not Available for Alexander Entering Babylon, after Gérard Audran, after Charles Le Brun

Alexander Entering Babylon, after Gérard Audran, after Charles Le Brun

Primary (Lyons, France, 1667–Paris, France, 1756)
co-primary (Lyons, France, 1667–Paris, France, 1756)
co-primary (Lyons, France, 1661–Ouzouer, France, 1721)
NationalityFrench, Europe
Date1690s
MediumEngraving
DimensionsSheet: 11 3/8 × 14 3/16 in. (28.9 × 36 cm)
Credit LineBlanton Museum of Art, The University of Texas at Austin, Gift of Mr. and Mrs. Isidore Simkowitz in memory of Amy Cecelia Simkowitz-Rogers, 1995.124
Collection AreaPrints and Drawings
Object number1995.124
On View
Not on view
Exhibitions
Image Not Available for The Queens of Persia at the Feet of Alexander (The Tent of Darius), after Charles Le Brun
The Queens of Persia at the Feet of Alexander (The Tent of Darius), after Charles Le Brun
Jean Audran
1690s
Alexander, Having Passed Granique, Attacks the Persians, from the Triumphs of Alexander the Great, after Charles Le Brun
Alexander, Having Passed Granique, Attacks the Persians, from the Triumphs of Alexander the Great, after Charles Le Brun
Gérard Audran
1672
This image is for study only, and may not accurately represent the object’s true color or scale…
Le Passage du Granique [The Crossing of the Granicus River], from Les Batailles d’Alexandre [The Battles of Alexander], after Charles Le Brun
Sébastien Le Clerc, the elder
1696
This image is for study only, and may not accurately represent the object’s true color or scale…
La Bataille d’Arbèles [The Battle of Arbela], from Les Batailles d’Alexandre [The Battles of Alexander], after Charles Le Brun
Sébastien Le Clerc, the elder
1696
Image Not Available for Charles I of England, after Pieter van der Werff
Charles I of England, after Pieter van der Werff
Benoit Audran
1685
Image Not Available for Galatea, after Carlo Maratta, plate 123 from the Recueil d’estampes d’après les plus beaux tableaux et d’après les plus beaux dessins qui sont en France [Collection of Prints after the Most Beautiful Paintings and Drawings in France](the Cabinet Crozat)
Galatea, after Carlo Maratta, plate 123 from the Recueil d’estampes d’après les plus beaux tableaux et d’après les plus beaux dessins qui sont en France [Collection of Prints after the Most Beautiful Paintings and Drawings in France](the Cabinet Crozat)
Jean Audran
1729
Antoine Coysevox, after Hyacinthe Rigaud
Antoine Coysevox, after Hyacinthe Rigaud
Jean Audran
1708
Henri IV délibère sur son future marriage (Henry IV Discusses His Future Marriage), plate 7 of Recueil de la galerie du Luxembourg (The Collection of Gallery of Luxembourg), after Peter Paul Rubens
Henri IV délibère sur son future marriage (Henry IV Discusses His Future Marriage), plate 7 of Recueil de la galerie du Luxembourg (The Collection of Gallery of Luxembourg), after Peter Paul Rubens
Jean Audran
circa 1707-1709
Peter Paul Rubens, after Anthony van Dyck
Peter Paul Rubens, after Anthony van Dyck
Jean Audran
1710
Antoine Coysevox, after Hyacinthe Rigaud
Antoine Coysevox, after Hyacinthe Rigaud
Jean Audran
1708
Image Not Available for The Fortune Teller, after Caravaggio, plate 93 from the Recueil d’estampes d’après les plus beaux tableaux et d’après les plus beaux dessins qui sont en France [Collection of Prints after the Most Beautiful Paintings and Drawings in France](the Cabinet Cr
The Fortune Teller, after Caravaggio, plate 93 from the Recueil d’estampes d’après les plus beaux tableaux et d’après les plus beaux dessins qui sont en France [Collection of Prints after the Most Beautiful Paintings and Drawings in France](the Cabinet Cr
Benoit Audran II (called The Younger)
1729
Lot and His Daughters Fleeing Sodom, after Paolo Veronese, plate 152 from the Recueil d’estampes d’après les plus beaux tableaux et d’après les plus beaux dessins qui sont en France [Collection of Prints after the Most Beautiful Paintings and Drawings in
Lot and His Daughters Fleeing Sodom, after Paolo Veronese, plate 152 from the Recueil d’estampes d’après les plus beaux tableaux et d’après les plus beaux dessins qui sont en France [Collection of Prints after the Most Beautiful Paintings and Drawings in
Benoit Audran II (called The Younger)
after 1730-before 1740