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Image Not Available for C’est égal, je trouve que le parrain de la petite vient trop chez nous [Never mind, I find that the godfather of the little one comes over too much], plate 31 from Fourberies des femmes en matière de sentiment [The Guile of Women in the Matters of Feeling
C’est égal, je trouve que le parrain de la petite vient trop chez nous [Never mind, I find that the godfather of the little one comes over too much], plate 31 from Fourberies des femmes en matière de sentiment [The Guile of Women in the Matters of Feeling
Image Not Available for C’est égal, je trouve que le parrain de la petite vient trop chez nous [Never mind, I find that the godfather of the little one comes over too much], plate 31 from Fourberies des femmes en matière de sentiment [The Guile of Women in the Matters of Feeling

C’est égal, je trouve que le parrain de la petite vient trop chez nous [Never mind, I find that the godfather of the little one comes over too much], plate 31 from Fourberies des femmes en matière de sentiment [The Guile of Women in the Matters of Feeling

Primary (Paris, France, 1804–1866)
Printer
NationalityFrench, Europe
Date1841
MediumLithograph
DimensionsSheet: 11 1/4 × 7 7/8 in. (28.5 × 20 cm)
Image: 7 7/8 × 6 1/8 in. (20 × 15.5 cm)
Credit LineBlanton Museum of Art, The University of Texas at Austin, Gift of Alvin and Ethel Romansky, 1982.496
Keywords
Collection AreaPrints and Drawings
Object number1982.496
On View
Not on view
Label Text
published in La Caricature, 21 March 1841; from Fourberies des femmes en matière de sentiment (2nd series)
Image Not Available for Comment saviez-vous, Papa, que j’aimais Mosieu [sic] Léon? [How did you know, Papa, that I liked Monsieur Léon?], plate 37 from Fourberies de Femmes en matière de sentiment [The Guile of Women on Matters of Feeling], in Le Charivari, 29 June 1841
Comment saviez-vous, Papa, que j’aimais Mosieu [sic] Léon? [How did you know, Papa, that I liked Monsieur Léon?], plate 37 from Fourberies de Femmes en matière de sentiment [The Guile of Women on Matters of Feeling], in Le Charivari, 29 June 1841
Paul Gavarni
1841
Image Not Available for Henri est fort bien … [Henry is very good …], plate 40 from Fourberies de Femmes en matière de sentiment [The Guile of Women on Matters of Feeling], in Le Charivari, 11 August 1841
Henri est fort bien … [Henry is very good …], plate 40 from Fourberies de Femmes en matière de sentiment [The Guile of Women on Matters of Feeling], in Le Charivari, 11 August 1841
Paul Gavarni
1841
Image Not Available for Mon cher Monsieur [My dear sir], plate 18 from Fourberies de femmes en matière de sentiment [The Guile of Women on Matters of Feeling], in Le Charivari, 16 March 1841
Mon cher Monsieur [My dear sir], plate 18 from Fourberies de femmes en matière de sentiment [The Guile of Women on Matters of Feeling], in Le Charivari, 16 March 1841
Paul Gavarni
1841
Image Not Available for Chacun prend son plaisir ou il le trouve [Everyone takes his pleasure where he finds it], from Passe-Temps
Chacun prend son plaisir ou il le trouve [Everyone takes his pleasure where he finds it], from Passe-Temps
Henry Bonaventure Monnier
1825
Image Not Available for Payes-tu cher à ton hotel? --Affreusement cher: je ne paye pas [Did you pay much at your hotel? --Horribly expensive: I did not pay], plate 32 from La Vie de jeune homme [The Life of a Young Man], in Le Charivari, 1 October 1842
Payes-tu cher à ton hotel? --Affreusement cher: je ne paye pas [Did you pay much at your hotel? --Horribly expensive: I did not pay], plate 32 from La Vie de jeune homme [The Life of a Young Man], in Le Charivari, 1 October 1842
Paul Gavarni
1842
This image is for study only, and may not accurately represent the object’s true color or scale…
Guielelmus Comes de Lamboy, from The Dignitaries at the Peace-Conference of Munster, 1648, after Anselm van Hulle
Coenrad Waumans
1653
Image Not Available for C’est bien gentil chez vous, monsieur Charles [Your house is very nice, Monsieur Charles], plate 25 from La Vie de jeune homme [The Life of a Young Man], in Le Charivari, 10 September 1842
C’est bien gentil chez vous, monsieur Charles [Your house is very nice, Monsieur Charles], plate 25 from La Vie de jeune homme [The Life of a Young Man], in Le Charivari, 10 September 1842
Paul Gavarni
1842
Image Not Available for 'Jamais plus nous ne connaîtrons le goût si âpre de ses baisers!...' ['Never More (Will) We Know the Bitter Taste of Her Kisses! ...'], from Le jardin des supplices [The Torture Garden], after Auguste Rodin
'Jamais plus nous ne connaîtrons le goût si âpre de ses baisers!...' ['Never More (Will) We Know the Bitter Taste of Her Kisses! ...'], from Le jardin des supplices [The Torture Garden], after Auguste Rodin
Auguste Clot
1899-1900
Image Not Available for L'Amant et le Dictionnaire des Rimes [The Lover and the Rhyming Dictionary], plate 16 from Nuances du sentiment [Nuances of Feeling], in Le Charivari, 23 September 1839
L'Amant et le Dictionnaire des Rimes [The Lover and the Rhyming Dictionary], plate 16 from Nuances du sentiment [Nuances of Feeling], in Le Charivari, 23 September 1839
Paul Gavarni
1839
Image Not Available for La Lune de Miel en son premier quartier [The Honeymoon in its first quarter], plate 7 from Nuances du sentiment [Nuances of Feeling], in Le Charivari, 25 May 1839
La Lune de Miel en son premier quartier [The Honeymoon in its first quarter], plate 7 from Nuances du sentiment [Nuances of Feeling], in Le Charivari, 25 May 1839
Paul Gavarni
1839
Image Not Available for -Ah! ma pauv' madame Chaffarou, c'est décidément fini de nous...[Ah, my poor Madam Chaffarou, it is decidedly the end of us...], plate 392 from Actualités, in Le Charivari, 24 April 1857
-Ah! ma pauv' madame Chaffarou, c'est décidément fini de nous...[Ah, my poor Madam Chaffarou, it is decidedly the end of us...], plate 392 from Actualités, in Le Charivari, 24 April 1857
Honoré Daumier
1857
Image Not Available for Trop pittoresque [Too colorful], plate 15 from Bohèmes [Bohemians], in Paris, 7 June 1853
Trop pittoresque [Too colorful], plate 15 from Bohèmes [Bohemians], in Paris, 7 June 1853
Paul Gavarni
1853