Saint Jerome in the Wilderness, after Titian
PrimaryAttributed to
Attributed to Nicolò Boldrini
(active Vicenza (?), Italy, circa 1500–)
NationalityItalian, Europe
Date1530s
MediumWoodcut
DimensionsSheet: 15 1/4 × 21 1/16 in. (38.8 × 53.5 cm)
Credit LineBlanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002.1652
Rights Statement
Collection AreaPrints and Drawings
Object number2002.1652
On View
Not on viewWoodcut reached a very high level in 16th-century Venice, where, notably in Titian’s circle, it was preferred to engraving for the reproduction of paintings and drawings. Boldrini developed its basic language of long, curvilinear cuts and sustained pictorial effects on a large scale. Saint Jerome in the wilderness was a favorite subject in Venetian art. Here the penitent and his faithful lion are set amid an ideal panorama of the kind pioneered by Titian and establishing the classical landscape tradition. The composition depends generally on a painting that Titian executed for Isabella d’Este between 1523 and 1531 (today in the Louvre), while the cliff and trees on the right were specifically prepared in a drawing now at Edinburgh. Although damaged along a center crease, this impression is especially even in its inking and clear in its printing.
Exhibitions