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Polyhymnia

Primary (Gandino, Italy, 1525–Madrid, Spain, 1569)
NationalityItalian, Europe
Date1561-63
MediumPen and brown ink with brush and brown wash and white heightening over...
DimensionsSheet: 6 7/8 × 4 13/16 in. (17.5 × 12.3 cm)
Credit LineBlanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017.908
Collection AreaPrints and Drawings
Object number2017.908
On View
Not on view
Label Text
As an architect, sculptor in stucco, and above all fresco painter and draftsman, Bergamasco introduced state-of-the-art Roman style to the prosperous and culturally ambitious families of mid-century Genoa. The decoration of the Palazzo Pallavicino (now Careggi-Cataldi) includes one of his most sophisticated and best preserved ensembles. The vault of the loggia on its main floor is decorated with a scene of Apollo surrounded by four ovals with the Muses making music. This is the preparatory study for one of the four, lacking an instrument but with an open book indicating song.
Exhibitions
The Dispute between Athena and Arachne
Giovanni Battista Castello, called Bergamasco
circa 1560-62
Minerva (recto and verso)
Giovanni Battista Castello, called Bergamasco
circa 1560-62
The Dream of Joseph
Giovanni Battista Gaulli (Baciccio)
1680s
Saint Peter in Cattedra Surrounded by Acanthus
Giuseppe Cesari, called Cavalier d'Arpino
circa 1603
Allegory of Virtue
Antonio Allegri, called Correggio
circa 1530-34
Adoration of the Magi
Polidoro Caldara, called Polidoro da Caravaggio
circa 1527
The Conversion of Saint Paul
Paolo Farinati
late 1580s
Triumph of Hercules
Lorenzo De Ferrari
1690s
A Monk and a Pope Reading
Unknown Milanese
late 1480s
Saint Dominic Resuscitating a Mason
Sebastiano Conca
circa 1715