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Parting of Abraham and Lot

Primary (Albaro, Genoa, Italy, 1557–Genoa, Italy, 1629)
NationalityItalian, Europe
Date1610s
MediumPen and brown ink with brush and brown wash over traces of black chalk
DimensionsSheet: 8 1/4 × 12 1/16 in. (20.9 × 30.7 cm)
Credit LineBlanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017.1011
Collection AreaPrints and Drawings
Object number2017.1011
On View
Not on view
Label Text
The most conservative Genoese painter of late century, Castello translated the later style of his teacher, Cambiaso, into an even more self-consciously neutral one based upon early 16th-century examples and suited to Counter-Reformation dictates as well as book illustration. This drawing renders Abraham’s proposal to Lot that they settle their differences by parting ways (Genesis 13: 5-9). Its or-derly composition, patient articulation, and clear narration are characteristic of the artist’s work.
Exhibitions
Apollo and Marsayas
Attributed to Luca Giordano
circa 1656
Martyrdom of Saint Stephen
Gregorio de' Ferrari
1700s
A Monk and a Pope Reading
Unknown Milanese
late 1480s
Study for the Angels of Justice
Jacopo Zanguidi Bertoia
1572
Allegory of Virtue
Antonio Allegri, called Correggio
circa 1530-34
The Entombment
Luca Cambiaso
early 1570s
Hercules and Antaeus
Copy after Luca Cambiaso
1550
The Martyrdom of Saint Sebastian
Luca Cambiaso
circa 1562
Juno and the Slain Argus
Giovanni Benedetto Castiglione
1630s
Rape of Proserpina
Luca Cambiaso
circa 1562-63
Sacrifice of Abraham
Workshop of Luca Cambiaso
after 1579