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Apollo and Marsayas

Primary (Naples, Italy, 1634–1705)
NationalityItalian, Europe
Datecirca 1656
MediumPen and brown ink with brush and brown wash over traces of black chalk
DimensionsSheet: 16 1/2 × 10 1/2 in. (41.9 × 26.7 cm)
Credit LineBlanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017.1151
Collection AreaPrints and Drawings
Object number2017.1151
On View
Not on view
Label Text
Giordano, the leading painter in late century Naples, was active and influential throughout Italy. His biographer, De Domenici, mentions that in Rome around 1656, Giordano was struck by some drawings by Cambiaso and took to copying them. While clearly inspired by Cambiaso, the hand responsible for this drawing is broader in rhythm and more generalized in effect. It is consistent with other drawings that have been attributed to Giordano around this time. Apollo and Marsyas was also a favorite subject in seventeenth-century Naples.
Exhibitions
The Entombment
Luca Cambiaso
early 1570s
Hercules and Antaeus
Copy after Luca Cambiaso
1550
The Martyrdom of Saint Sebastian
Luca Cambiaso
circa 1562
Rape of Proserpina
Luca Cambiaso
circa 1562-63
Martyrdom of Saint Stephen
Gregorio de' Ferrari
1700s
A Monk and a Pope Reading
Unknown Milanese
late 1480s
Study for the Angels of Justice
Jacopo Zanguidi Bertoia
1572
Allegory of Virtue
Antonio Allegri, called Correggio
circa 1530-34
Juno and the Slain Argus
Giovanni Benedetto Castiglione
1630s
Parting of Abraham and Lot
Bernardo Castello
1610s