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Saint Michael and the Damned Souls
Saint Michael and the Damned Souls

Saint Michael and the Damned Souls

Primary (Moneglia, Italy, 1527–El Escorial, Spain, 1585)
NationalityItalian, Europe
Date1568-69
MediumPen and brown ink with brush and brown wash over traces of red chalk
DimensionsSheet: 10 7/8 × 8 3/8 in. (27.6 × 21.3 cm)
Credit LineBlanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017.973
Collection AreaPrints and Drawings
Object number2017.973
On View
Not on view
Label Text
Again in collaboration, Bergamasco and Cambiaso created a grand cycle of the Last Judgment in the apse of Santissima Annunziata di Portoria. This drawing is one of several preliminary ideas for the canvas of The Damned. It is an early in-stance of the singularly systematic and reductive style, often called “cubic”, that characterizes Cambiaso’s later compositional studies.
Exhibitions
The Martyrdom of Saint Sebastian
Luca Cambiaso
circa 1562
The Entombment
Luca Cambiaso
early 1570s
Hercules and Antaeus
Copy after Luca Cambiaso
1550
Rape of Proserpina
Luca Cambiaso
circa 1562-63
Sacrifice of Abraham
Workshop of Luca Cambiaso
after 1579
Apollo and Marsayas
Attributed to Luca Giordano
circa 1656
Martyrdom of Saint Stephen
Gregorio de' Ferrari
1700s
A Monk and a Pope Reading
Unknown Milanese
late 1480s
Study for the Angels of Justice
Jacopo Zanguidi Bertoia
1572
Allegory of Virtue
Antonio Allegri, called Correggio
circa 1530-34
Juno and the Slain Argus
Giovanni Benedetto Castiglione
1630s