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Minerva (recto and verso)

Primary (Gandino, Italy, 1525–Madrid, Spain, 1569)
NationalityItalian, Europe
Datecirca 1560-62
MediumPen and brown ink over black chalk
DimensionsSheet: 8 1/8 × 5 1/2 in. (20.6 × 13.9 cm)
Credit LineBlanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017.907
Collection AreaPrints and Drawings
Object number2017.907
On View
Not on view
Label Text
During the 1560s, Bergamasco collaborated so closely and constantly with Genoa’s most advanced native artist, Luca Cambiaso, and they so influenced one another that their styles in painting and drawing can be difficult to distinguish. Similar to a motif in the decoration of the Palazzo Imperiale di piazza Campetto, this study evinces that collaboration and influence in its swift and approximative calligraphy.
Exhibitions
Polyhymnia
Giovanni Battista Castello, called Bergamasco
1561-63
The Dispute between Athena and Arachne
Giovanni Battista Castello, called Bergamasco
circa 1560-62
Studies of a Standing Putto and Heads (recto); Studies of Heads(verso)
Attributed to Giovanni Benedetto Castiglione
1630
Parting of Abraham and Lot
Bernardo Castello
1610s
Studies of a Putto and Heads (recto); Studies (verso)
Attributed to Giovanni Benedetto Castiglione
1630
The Dream of Joseph
Giovanni Battista Gaulli (Baciccio)
1680s
Christ's Entry into Jerusalem
Attributed to Giovanni Battista Paggi
1570s
Saint Dominic Distributing Rosaries
Giovanni Battista Paggi
1590s
Pluto
Giovanni Battista Tiepolo
circa 1743