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Minerva (recto and verso)

Primary (Gandino, Italy, 1525–Madrid, Spain, 1569)
NationalityItalian, Europe
Datecirca 1560-62
MediumPen and brown ink over black chalk
DimensionsSheet: 8 1/8 × 5 1/2 in. (20.6 × 13.9 cm)
Credit LineBlanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017.907
Collection AreaPrints and Drawings
Object number2017.907
On View
Not on view
Label Text
During the 1560s, Bergamasco collaborated so closely and constantly with Genoa’s most advanced native artist, Luca Cambiaso, and they so influenced one another that their styles in painting and drawing can be difficult to distinguish. Similar to a motif in the decoration of the Palazzo Imperiale di piazza Campetto, this study evinces that collaboration and influence in its swift and approximative calligraphy.
Exhibitions
Polyhymnia
Giovanni Battista Castello, called Bergamasco
1561-63
The Dispute between Athena and Arachne
Giovanni Battista Castello, called Bergamasco
circa 1560-62
Parting of Abraham and Lot
Bernardo Castello
1610s
Studies of a Standing Putto and Heads (recto); Studies of Heads(verso)
Attributed to Giovanni Benedetto Castiglione
1630
Studies of a Putto and Heads (recto); Studies (verso)
Attributed to Giovanni Benedetto Castiglione
1630
Seated Magus, from the ‘Sole figure per soffitti’
Giovanni Battista Tiepolo
circa 1758-60
The Adoration of the Shepherds
Giovanni Battista Paggi
1570s
The Dream of Joseph
Giovanni Battista Gaulli (Baciccio)
1680s