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I've Been 'Buked and I've Been Scorned
I've Been 'Buked and I've Been Scorned

I've Been 'Buked and I've Been Scorned

Primary (Chicago, Illinois, 1918–Los Angeles, California, 1979)
NationalityAmerican, North America
Date1956
MediumCompressed and vine charcoal with carbon pencil and charcoal wash splatter over traces of graphite
DimensionsSheet: 44 5/8 × 35 3/8 in. (113.4 × 89.8 cm)
Framed: 53 5/16 × 43 1/2 × 1 3/4 in. (135.4 × 110.5 × 4.4 cm)
Overall: 44 5/8 × 35 3/8 in. (113.4 × 89.8 cm)
Credit LineBlanton Museum of Art, The University of Texas at Austin, Gift of Susan G. and Edmund W. Gordon to the units of Black Studies and the Blanton Museum of Art at The University of Texas at Austin, 2014.93
Collection AreaPrints and Drawings
Object number2014.93
On View
Not on view
Label Text
Dedicated to the human form, White depicted single figures with extraordinary nuance. Here, the artist makes painstaking use of fine lines to capture an extraordinary range textures in the hair, fabric, and wood in the composition. Women play a central role in White’s paintings and drawings of the 1950s. Raised by a single mother and nurtured by his grandmother and aunts in the South, White reflected his upbringing in his depictions of strong women. He was also inspired by the radical black feminist politics that surrounded him. "I’ve Been ‘Buked and I’ve Been Scorned" takes its title from a 19th-century African American spiritual of the same name. The song lyricizes the pain and suffering endured by enslaved people. Presenting an intimidating maternal figure standing in her doorway, White underscores the strength not only of this particular woman but also of strong black grandmothers over generations.
Exhibitions
Awaken from the Unknowing
Charles White
1961
Wanted Poster Series #6
Charles White
1969
Wanted Poster Series #10
Charles White
1970
We Have Been Believers
Charles White
1949
Personification of Astrology
Gaetano Gandolfi
Circa 1790
Sacrifice of Abraham
Workshop of Luca Cambiaso
after 1579
Martyrdom of Saint Stephen
Gregorio de' Ferrari
1700s
A Magus and an Attendant
Attributed to Giovanni Battista Tiepolo
1750
This image is for study only, and may not accurately represent the object’s true color or scale…
David Olivant
1982
The Nativity
Maarten de Vos
circa 1600