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Cartel para el Museo de Arte Contemporáneo [Poster for the Museo de Arte Contemporáneo]
Cartel para el Museo de Arte Contemporáneo [Poster for the Museo de Arte Contemporáneo]

Cartel para el Museo de Arte Contemporáneo [Poster for the Museo de Arte Contemporáneo]

Primary (1968–)
NationalityChilean, South America
Date1971
MediumScreenprint
DimensionsSheet: 30 5/16 × 21 5/8 in. (77 × 55 cm)
Credit LineBlanton Museum of Art, The University of Texas at Austin, Gift of Jacqueline Barnitz, 2017.80
Rights Statement
Collection AreaPrints and Drawings
Object number2017.80
On View
Not on view
Exhibitions
Image Not Available for Title Page to El Museo Pittorico, after Palomino
Title Page to El Museo Pittorico, after Palomino
Hipólito Rovira
1715
Image Not Available for Série museo [Museum Series]
Série museo [Museum Series]
Bernardo Krasniansky
circa 2002
This image is for study only, and may not accurately represent the object’s true color or scale…
Bassorilievo Antico di Marmo esistente in Velletri nel Museo Borgiano
Francesco Piranesi
1786
This image is for study only, and may not accurately represent the object’s true color or scale…
Londres 1952—4000 personas
Catalina Parra
1976
On Ecology and the Future of Mankind
On Ecology and the Future of Mankind
Catalina Parra
circa 1970s
This image is for study only, and may not accurately represent the object’s true color or scale…
Marat-Sade 9
Carmen Parra
1968
This image is for study only, and may not accurately represent the object’s true color or scale…
Three Graces (?) (recto and verso) plate 33 from Principios para estudiar el nobilismo y real Arte de la Pintura [Principles for Studying the Most Noble and High Art of Painting]
José Garcia Hidalgo
1666
Flying Cherubim, plate 28 from Principios para estudiar el nobilísimo y real arte de la pintura [Principles for Studying the Most Noble and High Art of Painting]
Flying Cherubim, plate 28 from Principios para estudiar el nobilísimo y real arte de la pintura [Principles for Studying the Most Noble and High Art of Painting]
José Garcia Hidalgo
circa 1680-1691
Three Graces (?) (recto and verso), plate 34 from Principios para estudiar el nobilismo y real Arte de la Pintura [Principles for Studying the Most Noble and High Art of Painting]
Three Graces (?) (recto and verso), plate 34 from Principios para estudiar el nobilismo y real Arte de la Pintura [Principles for Studying the Most Noble and High Art of Painting]
José Garcia Hidalgo
1666
Manos. Siete (3, 1, 2, 1), la primera empuna un palo [Seven Hands, the First Holding a Staff], plate 49 from the Principios para estudiar el nobilismo y real Arte de la Pintura [Principles for Studying the Most Noble and High Art of Painting]
Manos. Siete (3, 1, 2, 1), la primera empuna un palo [Seven Hands, the First Holding a Staff], plate 49 from the Principios para estudiar el nobilismo y real Arte de la Pintura [Principles for Studying the Most Noble and High Art of Painting]
1693
El aire de mi pueblo está poblado de seres fantásticos, from I Portfolio de arte boliviano
El aire de mi pueblo está poblado de seres fantásticos, from I Portfolio de arte boliviano
Edgardo Arandia Quiroga
1988
El filo de la angustia, from I Portfolio de arte boliviano
El filo de la angustia, from I Portfolio de arte boliviano
Walter Solón Romero
1988