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Deux heures de pose hors de tour [Two hours of posing without turning around], plate 7 from Les Martyrs [The Martyrs], in Le Charivari, 20 July 1841
Deux heures de pose hors de tour [Two hours of posing without turning around], plate 7 from Les Martyrs [The Martyrs], in Le Charivari, 20 July 1841

Deux heures de pose hors de tour [Two hours of posing without turning around], plate 7 from Les Martyrs [The Martyrs], in Le Charivari, 20 July 1841

Primary (Paris, France, 1804–1866)
Printer
NationalityFrench, Europe
Date1841
MediumLithograph
DimensionsSheet: 10 9/16 × 8 1/4 in. (26.9 × 21 cm)
Image: 7 15/16 × 6 1/4 in. (20.2 × 15.8 cm)
Credit LineBlanton Museum of Art, The University of Texas at Austin, Gift of Alvin and Ethel Romansky, 1982.432
Collection AreaPrints and Drawings
Object number1982.432
On View
Not on view
Label Text
published in in Le Charivari, 20 July 1841
Exhibitions
Supplice de la Géométrie [The Torment of Geometry], plate 2 from Les Martyrs [The Martyrs], in Le Charivari, 31 October 1840
Supplice de la Géométrie [The Torment of Geometry], plate 2 from Les Martyrs [The Martyrs], in Le Charivari, 31 October 1840
Paul Gavarni
1840
Supplice de la Géométrie [The Torment of Geometry], plate 2 from Les Martyrs [The Martyrs], in Le Charivari, 31 October 1840
Supplice de la Géométrie [The Torment of Geometry], plate 2 from Les Martyrs [The Martyrs], in Le Charivari, 31 October 1840
Paul Gavarni
1840
Lecture du soir [Evening reading], plate 4 from Les Martyrs [The Martyrs], in Le Charivari, 10 December 1840
Lecture du soir [Evening reading], plate 4 from Les Martyrs [The Martyrs], in Le Charivari, 10 December 1840
Paul Gavarni
1840
Image Not Available for Voilà trois heures, voisin, trois heures, que vous nous jouez de ce flageolet [That’s three hours, neighbor, three hours that you have played that flageolet for us], plate 11, in Revue et Gazette musicale [Musical Review and Gazette], 17 March 1844
Voilà trois heures, voisin, trois heures, que vous nous jouez de ce flageolet [That’s three hours, neighbor, three hours that you have played that flageolet for us], plate 11, in Revue et Gazette musicale [Musical Review and Gazette], 17 March 1844
Paul Gavarni
1844
M’man [sic] n’y est pas parce que tu rentres avant cinq heures [Mama is not there because you returned before five o’clock], plate 47 from Les Enfans [sic] terribles [Terrible Children], in Le Charivari, 3 October 1841
M’man [sic] n’y est pas parce que tu rentres avant cinq heures [Mama is not there because you returned before five o’clock], plate 47 from Les Enfans [sic] terribles [Terrible Children], in Le Charivari, 3 October 1841
Paul Gavarni
1841
Inconvénient d'acheter un journal qui publie les nouvelles douze heures avant les autres [The Disadvantage of Buying a Newspaper that is Publishing the News Twelve Hours before the Others], plate 139 from Actualités, in Le Charivari, 29 June 1848
Inconvénient d'acheter un journal qui publie les nouvelles douze heures avant les autres [The Disadvantage of Buying a Newspaper that is Publishing the News Twelve Hours before the Others], plate 139 from Actualités, in Le Charivari, 29 June 1848
Honoré Daumier
1848
Image Not Available for Ma bonne bisque, va M'man, de se lever comme ça de bonne heure [My maid is furious, ask Mama, to get up early like that], plate 25 from Les Enfans [sic] terribles [Terrible Children], in Le Charivari, 20 November 1840
Ma bonne bisque, va M'man, de se lever comme ça de bonne heure [My maid is furious, ask Mama, to get up early like that], plate 25 from Les Enfans [sic] terribles [Terrible Children], in Le Charivari, 20 November 1840
Paul Gavarni
1840
Saint Florian as a Warrior with a Martyr's Palm
Saint Florian as a Warrior with a Martyr's Palm
After Franz Anton Maulbertsch
after 1759
(Au premier Mosieu [sic]) “Attendez-moi ce soir, de quatre à cinq heures, Quai de l’Horloge du Palais. –Votre Augustine” [(The first gentleman) “Wait for me this evening, at a quarter to five o’clock, Quai de l’Horloge du Palais. –Yours, Augustine”], plat
(Au premier Mosieu [sic]) “Attendez-moi ce soir, de quatre à cinq heures, Quai de l’Horloge du Palais. –Votre Augustine” [(The first gentleman) “Wait for me this evening, at a quarter to five o’clock, Quai de l’Horloge du Palais. –Yours, Augustine”], plat
Paul Gavarni
1840
Image Not Available for Comme ils se sont amuses … avec leur sot roman! [As they amused themselves … with their silly novel!], plate 20 from Paris le soir [Paris at Night], in Le Charivari, 15 March 1841
Comme ils se sont amuses … avec leur sot roman! [As they amused themselves … with their silly novel!], plate 20 from Paris le soir [Paris at Night], in Le Charivari, 15 March 1841
Paul Gavarni
1841
Image Not Available for Mosieu [sic], on ne peut pas voir papa, il est en train de faire faillite [Sir, you cannot see my father, he is just about to declare bankruptcy], plate 41 from Les Enfans [sic] terribles [Terrible Children], in Le Charivari, 7 August 1841
Mosieu [sic], on ne peut pas voir papa, il est en train de faire faillite [Sir, you cannot see my father, he is just about to declare bankruptcy], plate 41 from Les Enfans [sic] terribles [Terrible Children], in Le Charivari, 7 August 1841
Paul Gavarni
1841
Image Not Available for Nocturne a deux nez [Nocturne by two noses], plate 16 from Impressions de Ménage [Household Impressions], in Le Charivari, 1 September 1843
Nocturne a deux nez [Nocturne by two noses], plate 16 from Impressions de Ménage [Household Impressions], in Le Charivari, 1 September 1843
Paul Gavarni
1843