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Perseus

Primary (Moneglia, Italy, 1527–El Escorial, Spain, 1585)
NationalityItalian, Europe
Datecirca 1550
MediumPen and brown ink with traces of black chalk on cream antique laid paper...
DimensionsSheet: 11 1/4 × 6 7/16 in. (28.5 × 16.3 cm)
Credit LineBlanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017.969
Keywords
Collection AreaPrints and Drawings
Object number2017.969
On View
Not on view
Label Text
Typical of drawings around 1550, the Perseus is characterized by tremendous energy and incomplete resolution. Its powerful, Michelangesque forms are still awkward in their construction and incomplete in their foreshortening. Meanwhile, with the basic language derived from Perino del Vaga, there are signs of a personal calligraphy, like the remarkable abbreviation in Perseus's lower legs. Around this time Luca and his father were decorating several palace facades with mythological subjects. This drawing was probably a preparatory study.
Exhibitions
The Martyrdom of Saint Sebastian
Luca Cambiaso
circa 1562
Object number: 2017.976
The Entombment
Luca Cambiaso
early 1570s
Object number: 2017.975
Cupid and Psyche before the Council of the Gods
Luca Cambiaso
early 1570s
Object number: 2017.962
Hercules and Antaeus
Copy after Luca Cambiaso
1550
Object number: 2017.953
Rape of Proserpina
Luca Cambiaso
circa 1562-63
Object number: 2017.970
Saint Michael and the Damned Souls
Luca Cambiaso
1568-69
Object number: 2017.973
Study for the Angels of Justice
Jacopo Zanguidi Bertoia
1572
Object number: 2017.912
Sacrifice of Abraham
Workshop of Luca Cambiaso
after 1579
Object number: 2017.985
Design for the Upper Section of an Altar with Three Angels
Johann Georg Wagner
1779
Object number: 2017.1437
Martyrdom of Saint Stephen
Gregorio de' Ferrari
1700s
Object number: 2017.1079
Juno and the Slain Argus
Giovanni Benedetto Castiglione
1630s
Object number: 2017.1021